artist statement
I’m an interdisciplinary artist from Yucatan, Mexico whose practice explores the contemporary use of language, the ambiguity of translations, the space in memories, and the aesthetics of miscommunication. I use new media, interactivity, and expanded cinema to create immersive sound and expanded image experiences that generate platforms for participatory storytelling. 
My research-based practice relies on scientific papers, internet tutorials, and collaboration to compose new forms of communication and engagement. New media allows me to work in the constant unknown, which is a direct response to my state as an immigrant: decode, simulate, adapt... a never-ending resolution in the relationship of identity and space.
My recent work investigates an evolution and decay in language, simulations of identity, and media translations. To access universal points of view, I use free-form, spontaneous landscapes, and unplanned characters that portray the ability to access others’ gazes. I orient the viewer into a quest for meaning in foreign environments, understanding our mediated-selves, and achieving open communication. bodiless migration 20 [[in hyperspacetime]] is a direct response to my engagement in our current reality. An avatar allows me to engage in a Frankensteinesque or stepped-made world. Using 3D rendering, machine learning animations, undersea footage, Zoom meetings screen captures, drawings, and chroma key compositions, I composed a new blue world full of simulation. 
Connecting physical and electronic media, we can reach ideas beyond our scope of knowledge, thus allowing me to imagine and build newer physical and conceptual bodies, empathies, and borderless stories. 
bodiless migration 20 [in hyperspacetime]
These are my working ideas,  an ever changing writing space.
This is why I do art/how I do art.

Interdisciplinary
I’m an interdisciplinary artist and I’m in a never-ending quest of mastering techniques through collaborative opportunities. With YouTubers as teachers, forum posts, and blogs on the internet, I gained my video skills when I was a teenager. Today, new media is just a continuation of my DIY and alternative learning experiences. In new media, I find and equal language barrier, access to privileged spaces, media control.

In new media I find power, and once I achieve that power, I can redistribute, share and brake barriers.
Curiosity
Curiosity is key when one has to dive into new fields of knowledge, fearless, and naive drive to learn something new. In science journals, papers, and research I get inspiration to tell/express untold stories in unknown spaces. I enjoy expressing myself in ways that I haven’t heard or see before. I reject the homage and I embrace the surprise.
Unexpected
In the unexpected, we can move previous static states of mind. In the unexpected, we can draw our imagination to places that where not accessible before. In this search for unexpected, I’ve been researching live streaming as a form of art. Live streaming is a fleeting digital performance that combines television, theater, and film practices with internet platforms and physical venues. generate moments and happenings of synchronicity and displacement for captive audiences. This has been my latest passion, live-streaming really helps to DIY media immediacy, like never before. Today I believe our desire for the “authentic," allows live-stream media to pause our state of disbelief and allows our natural truth bias to capture our attention.

 Our interaction with the now creates an intimate relationship between the masses and individuals, thus telepresence allows us to be far from each other, it is also capable of bringing us closer than ever before. Our output of constant data streaming and live consumption, allows us to be situated in many places at the same time, accelerating our perception of time. This immediacy allows the sender and recipient to be present simultaneously in a third place, the image projected on the other end.
Engagement
In the search for engagement, I use interactivity to invite the viewer to be part of the exhibition/experience. The engagement can disarm the audience—I use that moment to inject ideas, metaphors and different perspectives into the mental spectrum of the audience and participants of my exhibitions. Engagement as a tool to highlight form, life, and perspective. In engagement I find moments of reflection, inner sight, future visions and active retrospective. 
Culture Change
Curiosity sparks many ideas and prompts me to listen and search for knowledge, which has lead me to embrace interdisciplinary skills. My previous experience and my years in Campeche, allow me to acknowledge the power in oneself and more importantly the collective power. Whether I’m collaborating or learning from someone, this power has allowed me to deal with the unexpected. And in the unexpected, I find the motivation to move forward in research and expression. To defy the status quo, to share knowledge, to embrace collective learning, to understand each other as one. I believe I do art, to facilitate perspectives, mediate communication between others, and express my feelings and ideas. I aspire to be a culture-changing agent that shares knowledge, express unheard voices, and shapes our culture.