eekcheen [cenote negro] [black sinkhole filled with water]
The prints are developed through a layered process that brings together digital drawing, along with digital and analog photography, into computer-generated simulation images. Signs and glyphs, drawn from prominent museum collections, books, and archival sources, are reworked and reclaimed, returning Maya visual languages to a fluid, contemporary context.
At the center, the Chicxulub crater meteorite anchors a shifting landscape shaped by rain simulations, gravitational mapping, and geographic elements of the northern Yucatán Peninsula.
Elements sourced from Maya sculptures, vases, and scrolls are translated into 3D forms and rendered using Autodesk Maya. A meteorite, dog, human, bird, crocodile, bat, snake, jaguar, glyph, warrior, vase, plate, jaw bone, miniatures, dagger, skull, gods, rain, and crater illustrate a mural of the collapse of time and space.